Historically, western protagonists have not been forthcoming with their feelings. John Wayne and Gary Cooper's characters were "men’s men", celebrated for their stiff upper lips, broad shoulders and steely resolve. Even when they saved the West and got the girl, the resulting relationships were hardly teary-eyed love-ins. But by the time of Zachariah's release, US westerns had long been taking cues from their European derivatives and even paper-thin relationships like these were less prevalent. Clint Eastwood's man-with-no-name archetype established in Sergio Leone's Dollars trilogy proved hugely popular. Invulnerable, detached and ethically compromised, Eastwood's profile in these films would influence scores of western anti-heroes similarly written to embody the corruption endemic to the Old West. Admissions of even heterosexual love were infrequent from these figures. Not only were Zachariah's protagonists younger and prettier than the grizzled veterans of these gritty westerns, they were also more emotionally available.
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Орландо Блум — английский актёр, прославившийся ролью Леголаса в трилогии "Властелин колец". Он получил эту роль благодаря своей харизме и таланту, демонстрируя выдающееся умение владения луком и стрелами во время кастинга. Режиссёр Питер Джексон увидел в нём воплощение образа эльфийского принца и пригласил его сыграть эту роль.
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