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Named for all the connections that form a functioning society, Threads is a harrowing look at what might happen when those ties are rent apart by nuclear war. This British TV movie — released during the Cold War — so violently seized on the nuclear anxieties of the time that its premiere was dubbed “the night the country didn’t sleep.” Depressingly, it hasn’t lost that initial resonance, and so it remains a panic attack-inducing watch.
A stiff romantic comedy positioned out of time and space by Aki Kaurismäki, Fallen Leaves combines melodramatic plot machinations with the settings of dreams to create a Finnish love story as dry as a pile of autumn leaves. Alma Pöysti’s Ansa and Jussi Vatanen’s Holappa (though both go unnamed at times, to both us and each other) scrape the kind of Helsinki lives by where anonymity and distance come with the weekly paycheck. Holappa copes with booze; Ansa with a minor bit of shoplifting. Both have the kind of larger-than-life aspirations embodied by karaoke and the cinema. Their loneliness blossoms into familiarity, overcoming the obstacles of poverty, with an intangible and imperfect sweetness. The only thing that grounds them is their constant lack of financial stability and the ongoing war in Ukraine. The isolating, stagnant camera doesn’t dare to hope. Its characters’ black humor (particularly a scene-stealing, charismatic Janne Hyytiäinen) scoffs at the idea. But hope is there, at the edges and in the small moments. A stray dog. A second set of flatware. Connections are still possible, even at the bottom.– Jacob Oller
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